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This is Luci. Who tricks him into inhaling helium, which alters his voice, which causes the killer robots not to recognize him as their co-conspirator, so that they kill him.
In the end, Dr. Who himself narrowly avoids being choked out by a Voc who apparently has been practicing a robotic jujitsu, and escapes to continue his adventures [source: BBC ].
With his steely eyes, broad shoulders and then-exotic bald pate that gleamed menacingly from under the brim of a black Stetson, actor Yul Brynner was a scary-looking hombre, one who looked as if he'd put a bullet through your heart as soon as look at you.
And he used that ambiance to good effect, playing gunslingers in movies such as director John Sturges epic "The Magnificent Seven. So it was doubly chilling when Brynner portrayed a robotic version of his customary black-clad six gun-toting killer in "Westworld," a sci-fi thriller written and directed by Michael Crichton.
But for a pair of Chicago businessmen portrayed by Richard Benjamin and James Brolin, who indulge their fantasies at Westworld, the problem is that the androids develop a glitch in their software -- "central mechanism psychosis" -- and start killing people instead of entertaining them.
The first sign that something is amiss: Brolin's character has a mock showdown with Brynner's character, the fake cowtown's sheriff, who shoots and kills him for real.
Brynner than stalks the terrified Benjamin, who's forced to contend with the same sort of "it's fun until technology runs amok" meme that Crichton utilized repeatedly in his career, most notably in his best-selling novel " Jurassic Park.
Probably the biggest -- and strangest -- killer robot in science fiction appears in "The City," a short story from Ray Bradbury's anthology "The Illustrated Man.
When the crew's leader tells his men to draw their guns as they probe the seemingly empty metropolis, one responds: "The city's dead, why worry?
The city itself is a giant synthetic organism, which is quietly observing their movements, weighing and measuring them, and even noting their human aroma.
When the crew isn't looking, the city springs a trapdoor and abducts the captain, who is promptly vivisected to verify that he is an Earthling.
As it turns out, the city is a trap, left behind by Taollan's original inhabitants. Twenty thousand years before, a previous team of human explorers enslaved and eventually killed off the extraterrestrial species with infectious disease.
Before they died out, the Taollanians built the robot city so that it would keep running, until humans someday wandered back to the planet.
The robot city captures the rest of the astronauts, kills them, and replaces their insides with robotic parts and wiring.
Then the city sends the astronauts back to Earth in their spaceship -- which is infected with a virus that will wipe out humanity.
The story ends with these chilling words: "Slowly, pleasurably, the city enjoyed the luxury of dying" [source: Bradbury ]. If you've had enough scary robots by now, it's time for one who makes malevolence funny.
Bender, a member of the cast of the animated TV comedy series "Futurama," is more of a menace to propriety than a genuine threat to humankind.
A sort of twisted doppelganger of the loyal, anxiously obsequious mechanical servant C-3P0 from the "Star Wars" film series, Bender -- originally built in a Mexican factory as a metal-bending device -- is a lazy slacker who consumes copious amounts of alcohol as fuel and contemptuously derides his human masters as "meatbags" [sources: Muljadi , Futurama ].
He shoplifts. He thrives on the things that harm humans. He actually gets energy from smoking cigars and drinking beer. Bender also gets us around censor problems -- he can't be a bad role model for kids, because he is just a robot" [source: Kelly ].
Bender does occasionally spout the stock robotic rhetoric about human annihilation, but it's really more wishful thinking than actual intent, since he's too apathetic and cynical to develop the sort of idealistic outrage that drove his literary ancestors in "Rossum's Universal Robots R.
I think you were in it" [source: Imdb ]. A hospital stay is stressful, especially for a child. A new robot named Robin plays games, tells stories and comforts children in need of a friend.
I grew up in the s reading comic books and watching TV shows that featured anthropomorphic robots -- that is, ones designed to resemble humans and, to a degree, act like them.
As a grown-up science writer, of course, I've come to understand that although we live in an age in which we're surrounded by actual robots, most of them are really glorified remote-control tools, such as the mechanical arms that paint cars on assembly lines and da Vinci, the machine that performs prostate cancer surgery with amazing deftness.
Even so, I still harbor a fascination for machines that would not only mimic humans, but possibly blur the distinction.
Back in , for example, I went to the Wired NextFest in Chicago, and got a chance to see a glimpse of that possible future, an android designed by robotics researcher David Hanson.
The machine not only bore a striking resemblance to the late science fiction author Philip K. Dick, but was also programmed to utter cryptic statements that evoked Dick's obsession with the existential no-man's land that separated the artificial from the organic.
For the first time, I got a sense of what it might be like if robots actually were alive and sentient, as they are in science fiction.
Where's this evil robot headed? Hopefully not for planet Earth! See more pictures of robots. A scene from a TV production of "R. Even stripped of its human disguise, the T exoskeleton relishes a strong desire to kill all humans.
The squid-like sentinel makes short work of rebellious humans. Photo by Aka. Welcome to the Age of Ultron.